Paueru Mashup Dance Lessons
Join us this summer for in-person Paueru Mashup Dance lessons at Oppenheimer Park. The Paueru Mashup is a community dance that is accessible for all ages and abilities across the country. No dance experience necessary.
Free, weekly lessons every Tuesdays in July (4th, 11th, 18th and 25th) from 3pm-4:30pm at Oppenheimer Park.
We’ll have skilled dance instructors walking you through the movements. These are iterative lessons, so we encourage you to come for all the lessons so you can learn a new portion of the dance each week.
For this year’s Festival, join community dancers in Oppenheimer Park for a Paueru Mashup flash mob, Saturday, 2:15pm-2:30pm, at the Diamond Stage & Demo Area!
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７月４日、１１日、１８日、２５日、火曜日、午後３時〜４時３０分、 オッペンハイマー公園
無料、ドロップインイベント
この夏、私たちと一緒に「パウエル・マッシュアップ・ダンスレッスン」に参加しませんか！パウエル・マッシュアップは、年齢や能力を問わずすべての方に参加していただけるコミュニティダンスです。ダンスの経験は必要ありません！７月の第１週から、毎週火曜日の午後３時から４時３０分まで、オッペンハイマー公園で開催される直接レッスンに参加できます。
経験豊富なダンスインストラクターが、動きを分かりやすく教えてくれます。これは継続的なレッスンで、毎週新しいパートを学ぶため、すべてのレッスンに参加することをお勧めします。無料です。
今年のお祭りでは、オッペンハイマー公園でコミュニティダンサーと一緒に、土曜日の午後１時１５分～１時３０分、ダイヤモンドステージとデモエリアでパウエル・マッシュアップ・フラッシュモブを楽しみましょう！
About the Paueru Mashup Dance
Commissioned by the Powell Street Festival Society in 2020, the Paueru Mash Up Dance is composed of music created by Onibana Taiko and choreography by Company 605. This high-energy dance is accessible for all ages and abilities across the country. No dance experience is necessary!
Formed in 2016, Onibana Taiko are three veterans of Vancouver’s Taiko community, whose depth of performance and taiko experiences combine to over 100 years. The group is comprised of Eileen Kage, Noriko Kobayashi and Leslie Komori. Onibana Taiko’s performances and presentations draw on traditional Japanese folk rituals, such as minyo and matsuri, and combine them with its member’s unique and varied experiences as Nikkei settlers. With roots in radical feminist punk and political activism, Onibana Taiko aims to empower various communities, including QTIBIPOC, Nikkei and Asian Diaspora. They would like to acknowledge that they are settlers of Japanese ancestry who are privileged to live and work on the unceded territories Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) peoples. Through performance, Onibana Taiko seeks to re-examine and reinterpret musical and movement elements from Shinto and Buddhist ceremonies. Onibana Taiko allows audience members to commune with our ancestors via obon dance, song, sensu (fan) cheerleading, fue, shamisen and kick-ass taiko.
Formed in 2016, Onibana Taiko are three veterans of Vancouver’s Taiko community, whose depth of performance and taiko experiences combine to over 100 years. The group is comprised of Eileen Kage, Noriko Kobayashi and Leslie Komori. Onibana Taiko’s performances and presentations draw on traditional Japanese folk rituals, such as minyo and matsuri, and combine them with its member’s unique and varied experiences as Nikkei settlers. With roots in radical feminist punk and political activism, Onibana Taiko aims to empower various communities, including QTIBIPOC, Nikkei and Asian Diaspora. They would like to acknowledge that they are settlers of Japanese ancestry who are privileged to live and work on the unceded territories Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) peoples. Through performance, Onibana Taiko seeks to re-examine and reinterpret musical and movement elements from Shinto and Buddhist ceremonies. Onibana Taiko allows audience members to commune with our ancestors via obon dance, song, sensu (fan) cheerleading, fue, shamisen and kick-ass taiko.
Lisa Gelley is an artist living and working on the traditional, ancestral, and unceded Indigenous territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. She is the descendant of a Third Generation Japanese Canadian Mother and a French/Polish Father. She is Artistic Co-Director of Company 605, an arts organization in Vancouver, producing various dance projects and performances through a shared creative process. The artists place emphasis on rigorous choreographic propositions and movement invention, building physically demanding work that juxtaposes raw with precision, and highlights effort, risk, and interconnection. 605 is an ongoing exchange between separate people, bodies, and ideas, recognizing and celebrating the unique possibilities created in their attempt to co-exist. Valuing collaboration as an essential tool for new directions in dance, Company 605 continues to awaken a fresh and ever-evolving aesthetic, together building a highly athletic art form derived from the human experience. With an expanding repertoire of diverse works, the company has performed from coast to coast in over 30 cities across Canada, as well as in the US, Central America, Europe, Asia and Australia. Their collaborations with filmmakers have allowed 605’s work to be shared globally, with short dance films shown at dance-on-screen festivals around the world. www.company605.ca
Lisa Gelley is an artist living and working on the traditional, ancestral, and unceded Indigenous territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. She is the descendant of a Third Generation Japanese Canadian Mother and a French/Polish Father. She is Artistic Co-Director of Company 605, an arts organization in Vancouver, producing various dance projects and performances through a shared creative process. The artists place emphasis on rigorous choreographic propositions and movement invention, building physically demanding work that juxtaposes raw with precision, and highlights effort, risk, and interconnection. 605 is an ongoing exchange between separate people, bodies, and ideas, recognizing and celebrating the unique possibilities created in their attempt to co-exist. Valuing collaboration as an essential tool for new directions in dance, Company 605 continues to awaken a fresh and ever-evolving aesthetic, together building a highly athletic art form derived from the human experience. With an expanding repertoire of diverse works, the company has performed from coast to coast in over 30 cities across Canada, as well as in the US, Central America, Europe, Asia and Australia. Their collaborations with filmmakers have allowed 605’s work to be shared globally, with short dance films shown at dance-on-screen festivals around the world. www.company605.ca
